Sofia Mantoni

The first layer is always the most uncertain. By the final one, the form has decided what it wants to be. This is true of paper, which is where the Reshaping Collection began. It is true of cord and yarn, which are coming. And it is especially true of fabric — the most unpredictable, most alive, and most demanding material the studio has worked with so far. Luna began as a question. A 64cm polystyrene disc, a length of fabric, and no fixed idea of what the surface should look like. The answer...

A shelf is not a storage solution. It is a composition. This distinction matters because it changes every decision you make about what goes on it, where, and why. Storage thinking asks: what fits here? Composition thinking asks: what belongs here, and what does its presence do to everything around it? Architects think about shelves the way they think about walls — as surfaces with spatial consequences. What sits on a shelf affects how a room feels, how the eye moves through it, and whether...

The outside is what the room sees. The inside is what you see. They should not be the same. This is the idea behind Écorce — a set of hand-formed vessels in which the exterior surface is left deliberately raw and unresolved, while the interior is painted gold. The contrast is not decorative. It is a position. 'Ecorce' Vessel Set | The Reshaping Collection What you see first From across a room, Écorce reads as stone. The exterior surface is granular, mineral, chalk-white — the kind of texture...